Meet the Maker: Michael from Peach Furniture

Inside a sunlit workshop in Sydney’s Inner West, Michael Hasler shapes more than just furniture. Under the name Peach Furniture, Michael creates handcrafted, made-to-order timber pieces that speak to simplicity, intention, and quiet presence.

His journey into furniture making began in his family’s caravan business and evolved through a traditional joinery apprenticeship and a life-changing trip to Copenhagen. With a deep respect for materials and a belief in the emotional impact of good design, Michael’s work combines utility with soul.

We caught up with Michael to talk about his creative beginnings, the beauty of slow-made pieces, the joys and challenges of running a small studio, and what’s coming next—including the launch of Peach’s first official collection.

How did you first get into furniture making? Was there a particular moment or influence that sparked your passion?

I started out working for my parents building caravans and really took a liking to the timber interiors. That kicked off an apprenticeship in joinery, learning from some old boys who knew their craft. A trip to Copenhagen later on really locked in my love for the mid-century style - simple, well-made, and timeless.

What were some of the biggest challenges you faced when you first began?

One of the biggest challenges early on was juggling work and family life. I was lucky to have a supportive wife and a workshop close to home, which made it easier. Another big one was not having a steady flow of work - going from a regular pay cheque to running your own gig with no guarantees was a big shift. Took a bit to get used to that.

How would you describe your design philosophy?

I’m all about handcrafted, one-off pieces that make people stop and feel something. I want my work to have a presence - to move and inspire just by being seen.

Are there any interesting or unusual custom requests you've worked on?

Most of my work is custom, but one that stands out is a Blackwood desk that also worked as a room divider for a tiny home in the Currumbin Valley. It was a tight space, so every detail had to count. Same clients also asked me to build a frame to house a Grammy medallion - not something you see every day, which made it pretty special.

How do you approach sustainability in your work?

I’m lucky that timber’s a sustainable material to begin with, but I also make sure everything I use is ethically sourced. I do the basics too - like recycling and keeping waste to a minimum. On top of that, I contribute 1% of my revenue to carbon removal through Stripe Climate. I reckon businesses have a big part to play in fighting climate change, and I’m proud to back that in.

What trends are you seeing in furniture design right now that excite you?

I’m really into the use of mixed materials, patterns, and bold colours - it brings a lot of personality to a space. YSG do this really well in their projects, and it’s cool to see that kind of creativity getting more attention.

How do you see the future of handmade furniture evolving?

I think people are starting to realise - like with fast fashion - that fast furniture isn’t sustainable. There’s a growing appreciation for slow-made, quality pieces that are built to last. It might cost more upfront, but in the long run, it’s better for the planet and often ends up being cheaper too.

What does a typical day in your workshop look like?

Typical day kicks off with school drop-off at 8, then straight for a coffee. Once I’m in the workshop, I run through what we’re aiming to get done that day. Lunch is usually from the local Japanese spot. The arvo’s about making sure pieces are glued up, sanded, or oiled so they’re ready for the next stage. And if there’s time, maybe a cheeky beer at one of the breweries nearby before school pick-up at 5.

Also, I’ve recently brought on an amazing new team member, Matt. He’s been a star - super talented, and it’s made a huge difference having someone who just gets it and works hard. 

Outside of furniture making, what are some of your passions or hobbies?

Outside the workshop, I love travelling - especially getting to show my 4 year old daughter different cultures and experiences. It’s pretty special seeing the world through her eyes. I’m also into basketball, though these days it’s mostly watching from the couch rather than playing.

If you could collaborate with any designer or brand, who would it be and why?

I’d love to collaborate with Patten Studio - their approach to design and the way they create spaces that excite really speaks to me. And if we’re shooting for the stars, working with Komawould be a dream. They’re Japanese wizards when it comes to handcrafted furniture. That said, I also get a real kick out of collaborating with close mates - I’ve been lucky to work on projects with @ambrosejoinery and @robbybennet, and I’m keen to keep building on that

Where can people see more of your work or purchase your pieces?

All my pieces are custom – nothing off the shelf – but I’ve been chipping away at my first collection between bigger projects. That’ll be released soon as a made-to-order range. People are always welcome to drop by the workshop by appointment – I love giving a behind-the-scenes look and letting them smell the wood and get a feel for the space.

In the meantime, you can check out more of my work at peachfurniture.com.au and follow along on Instagram @peachfurniture for updates, sneak peeks, and a closer look at the process.  

Is there anything exciting you’re currently working on that you’d like to share?

I’m really excited - and a bit nervous - to be getting ready to release the first Peach collection. We’ve got five pieces finished so far and are working on another four or five. These will be made-to-order designs, and I’m hoping to show them off soon - maybe even with an open day at the workshop.

Photography by @tomwholohan